Xinyu Li's interest in ruins and abandoned domestic spaces remains ongoing, continuing to evolve across different formats. Her practice moves between site-based research, publishing, and curatorial work, expanding how these spaces are observed, recorded, and reinterpreted.
In March 2026, she curated Memory Catcher, a women-centred exhibition staged an abandoned residential house in London. The project explored how decay, intimacy, and everyday traces shape what is remembered and what fades, using the domestic ruin as both context and material.
In April 2026, she participated in the Outland Publishing Fair in London, where she presented a selection of recent publications connected to her urban explorations. These works brought together field notes, image-making, and speculative documentation, extending her research into printed form.
